"I Must Read, Read, and Read. It is my Vocation." - Thomas Merton
This is where I chronicle my reading life. I also blog about writing at Lacey's Late-night Editing.
This book took a little while to get going for me -- at first it felt as if Rowell was clearly out of her element writing fantasy -- and as someone who reads a lot of fantasy, I couldn't help but notice the shortcomings in worldbuilding, and just how LONG it seemed to take to set everything up; the story was about 1/3 of the way in before the plot really got going. Everything else was just showing us what it was like to be a student at Rowell's version of a magical school.
However, this book can really be read on two different levels: as a fantasy story in its own right, or as commentary on the world of Harry Potter.
It's passable as a story in its own right, but as commentary on the Harry Potter franchise, it is brilliant.
The parallels and nods to J.K. Rowling's worlds are obvious -- after all, the book started as an obvious stand-in for Harry Potter and Potter fan culture in its original incarnation in [book:Fangirl|16068905]. It's in the departures from Rowling's world that Rowell really drives her points home. Her version of a magical wizarding school is far more culturally and ethnically diverse than Rowling's, and it includes gay characters who don't have to wait for the whole series to be completed before being "outed" (::coughcough:: Dumbledore being gay after the fact was a copout ::cough cough::). It is, of course, much edgier than Rowling's world, with plenty of swearing and some making out, although certain aspects of it were strangely chaste. (Like, why did we never know the extent of Simon's and Agnes's sexual relationship even though they had been together for three years? Am I the only one who wondered about this?) It also examines the whole idea of the "chosen one" mythos and especially takes a jab at the somewhat creepy/inappropriate/irresponsible relationship between Dumbledore and Harry that is glossed over as perfectly healthy, warm, and admirable in Rowling's book. By contrast, the Mage (Dumbledore's stand-in), is an ethically ambiguous character, ultimately more dark than light, but for a long time Simon sees him through an adoring child's eyes much the way Harry sees Dumbledore. The difference is that Simon's perception of the Mage matures; Harry's never does.
It's somewhat strange to come in reading the "last book" in a series when the earlier books in the series do not actually exist. I couldn't help but notice how much more of an impact this story probably would have had on me if I had been following these characters' lives for years rather than being dropped into their world in the final act. I'm not sure I would have wanted to commit to seven books of this, anyway, but it's definitely a worthwhile read. It's got that Rowell "relationship magic" if that's what you go in for, but it's also a smart, incisive critique of what is arguably the most influential children's series of our lifetimes.