"I Must Read, Read, and Read. It is my Vocation." - Thomas Merton
This is where I chronicle my reading life. I also blog about writing at Lacey's Late-night Editing.
Sigh ... Lowry, why did you keep writing sequels to a book that never needed any sequels?
I found Gathering Blue to be somewhat lackluster, Messenger to be pretty awful ... and for a while, I thought this one might actually be different. Maybe not different enough to redeem the whole series, but at least different enough to justify its existence.
That's because the first section of the book takes place in the same community as The Giver, and this society remains equally fascinating through another character's experience of it. It follows the experiences of Gabriel's birthmother, Claire, and shows another side of the community that is still familiar to us. For the most part, the worldbuilding in the original book is one of its strongest, most enduring qualities -- few of us will forget our first exposure to it, which was, for many in my generation, our introduction to dystopia --and the first part of this book brings us back to that well-wrought world. This book would have been stronger if Lowry had published it as a novella or short story and scrapped everything that happens after Claire leaves the community ... but that did not happen.
The other communities are far less developed than the original one, and Claire sort of muddles her way through them for a few years, dragging the reader along for a far less interesting ride than what we thought we were in for in the beginning. Also, the book gets a little bit too "magical" without any explanation. I think that's my major bone of contention with this series, the sort of unevenness between the groundedness of Jonas's community, where almost everything makes sense even if it is horrifying, and the random, unexplained "powers" and magical realism running rampant in the rest of the world. (I did reread "The Giver" recently and realize that there is a touch of this unexplained magical realism there as well, but because it is a less prominent part of the story, it's less irritating.) Also, it wasn't just the random magical-ish things that lacked explanation -- there were also major plot points that didn't seem to make sense. [Like, why was it imperative that Gabriel go after the Trademaster? Why was that designated his "job" all of a sudden? Jonas was so insistent upon it, but it seemed mostly just a convenient way to resolve the story, or to make it seem like the various threads were meant to tie together all along when really it felt like they were still unraveling.]
It also felt like the book "tried too hard" to tie together all the sequels that shouldn't have been written in the first place, and the connections just weren't strong enough to make wading through all the separate stories that got us to that point worth it. I have a lot of respect for Lowry as a writer, and I wish she hadn't wasted so much of her time and mine spinning additional stories that never really needed to be told.